The Blind Side

The Blind Side tells the true story of Michael Oher, a homeless teenager who is taken in by a caring family and eventually becomes an American Football player. It’s a fascinating story which (much like I Love You Philip Morris) means that the film is still an intriguing watch, even if the film per se isn’t a barnstormer. Ironically, for a film that has bagged acting awards its John Lee Hancock’s subtle direction that is actually more of an influence. No mean feat considering his last big picture was 2004’s ill received The Alamo. Hancock tells the story in an efficient fashion and tires to focus on the main plot points and doesn’t even bother to address a number of loose ends. Don’t be fooled into thinking there’s any fancy tricks here, but its what’s needed in the circumstances. I’ve never paid much attention to the Oscars (which real film fanatic does?) but Sandra Bullock’s victory for best actress (playing the head of the family that takes Oher in) shows just what a farce the whole thing is. Nothing against the girl (rather this than the usual rom-com dross) but is this performance really worthy of an Oscar? Quinton Aaron as the near silent Oher is harder to analyse. Is this great acting or non-acting? Future roles will give us a clearer picture. There’s a good chance that this film that will play differently on each side of the pond. The film aims for realism by having a number of real life cameos by college football players and coaches. This, and the numerous references to the sport throughout the film, will probably go over the heads of most Europeans. However, this doesn’t distract from the storyline itself which will give you plenty of food for thought.

The OC Film Sting Final Verdict
Feels a bit pat and movie of the week at times, but unfussy direction, Bullock not hamming it up for once and an enticing true life tale mean there’s more plus points than minus. Rating: 6/10.