Friday 13 June 2014

The Grand Budapest Hotel

I've said this before about Wes Anderson, but there can't be a film maker alive today who's idiosyncratic style is so paramount you can tell who the director is within thirty seconds of the film beginning. For The Grand Budapest Hotel it takes about five seconds. The rest you know. Kitsch sets. The lock-pan-lock camera movements. The mix of live action and (knowingly) obvious special effects. The ensemble cast. This is quintessential Anderson all the way. Arguably, it's also the most audience accessible film he's ever given us, with word of mouth helping to contribute to its impressive box office return. Overall though, it's just more fun than what you'd expect from Anderson. Set in a fictional European state in the the early 1930's we follow Ralph Fiennes as concierge Gustave in the aforementioned hotel, who finds himself framed for murder following his inheritance of one of his guests valuable paintings. As this is Anderson you'll be unsurprised to hear there's a lot more going on as well, but Gustave's storyline is the focal point and rightfully so. Fiennes is hilarious and gives one of his best turns for years, portraying Gustave as a proud man with an eye to detail and a loyalty to all those around him, but it's the moments of touching insecurity and cheerfully comic swearing that really add to the performance. On the aesthetic front Anderson's use of models and hand painted back drops is a nice compliment to the old fashioned setting. Throw in some surprising moments of gore and some laugh out loud one-liners and you start to wonder where this side of Anderson has been hiding. It's not all gravy though. The marketing has made use of its wide cast, but many actors (virtually all Anderson regulars) only pop up for 30 second (or less) cameos and, Gustave aside, there's virtually no characterisation anywhere else. Anderson also continues his unfortunate wont of including scenes where animals are harmed and the one here is drastically unfunny. In the end though the good outweighs the bad and you even get to see Willem Dafoe (as an enforcer) looking more like someone from the undead than he did in Shadow Of The Vampire. Rating: 7/10.

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