The Runaways

The Runaways is a film based on the book by the band’s lead singer Cherie Currie and therefore it’s no surprise to find the character of Currie taking up a fair portion of screen time as we go through the history of the band from formation to break up. Unfortunately the film is hamstrung from the start as Dakota Fanning’s portrayal of Currie is pretty dull despite Currie being the leader of a female punk band and having family problems to deal with as well. However, Fanning’s performance can probably be laid at the feet of director Floria Sigismondi, as the film itself is far too tame to truly reflect the angst and anger of the band. Sigismondi is one of the more original music video directors around so it’s a surprise (and a shame) that the direction here is so bland. Kirsten Stewart fares better as the more well known Joan Jett, sporting the worlds blackest hair and giving off the required balls (so to speak). However, the highlight of the film is Michael Shannon’s performance as the bands bonkers manager Kim Fowley. As sleazy as he is hilarious, Shannon gives the film the energy it lacks as he bounces around the screen. If only Sigismondi had been able to channel some of that electricity into the rest of the film. As a history of the band, apparently the film is a fairly accurate portrayal and therefore should provide some interest for music buffs. However, the problem remains that despite a film about a pioneering female rock band, you’ll have little interest in following it up after the final credits.


The OC Film Sting Final Verdict
Worth watching for Shannon, but the big screen feels too much for the usually innovative Sigismondi. Rating: 5/10.